Guest post, by Christine Wurth (www.christinewurth.com / @christinewurth) NeoTouch is a Speculative Design project envisioning the future of haptic technology. It takes the form of a communication device based on a brain-computer-interface which allows the wearer to experience touch at a distance. This post discusses the project’s design methods used to interrogate the ethical and… Continue reading NeoTouch: a speculative brain-computer-interface technology
Guest post, by Helge Wurdemann, Associate Professor of Robotics, UCL Mechanical Engineering [helge-wurdemann.com, softhaptics.website, @H_Wurdemann, YouTube] As a roboticist, one of my research interests covers the creation of interfaces that allow humans to interact with something or somebody through receiving tactile stimuli – these systems are called haptic feedback interfaces. One prominent example includes the… Continue reading Soft, Simple, Sens-ational: creating body-powered prostheses with feeling
This month, Carey and Lili of In-Touch speak to multimedia artist, experience designer, and scholar Yiota Demetriou about ‘To You’, a touch-sensitive book of love letters. At first sight, the book appears to be made of blank, inked pages, but when warmed by human touch, its words gradually appear to the reader. Yiota talks us through the process of writing and designing this unique form of reading experience, which requires patience, care, affection and sometimes even tactile collaboration to be read… *This podcast was recorded pre-lock down!
In our first podcast, Lili from the In-Touch project speaks to Tim Neumann, of the UCL Knowledge Lab about his experiences of auditory-tactile synaesthesia. The podcast was recorded in one of the Institute of Education's music rooms so that Tim could talk us through the range of tactile effects produced for him by certain piano notes.
By InTouch Over the life of the InTouch project (starting in 2016) we have kept our feelers out for when touch hits the news headlines. While each year touch has had always had some exposure in the news, headlines have been infrequent and usually promoted by a study or incidence, for example: How often you… Continue reading Media tales of touch during Covid
Guest post, by Parinda Sakdanaraseth Figure 1: A tactile-visual re-imagining of ‘Wallpaper’ magazine. Image credit: Parinda Sakdanaraseth. I am fascinated by the sense of touch. With my background in Graphic Design, I feel a joy in using the little power I have to experiment and play with different kinds of paper to create rich textures… Continue reading A visual and tactile graphic design experiment: ‘Touch Project’
Dr Ned Barker, of In-Touch, interviews Dr Kate Devlin on the present and future of how sex robots might come to touch our bodies, lives, and society, and the social and ethical issues that arise. NB: In Turned On: Science Sex and Robots you described yourself as a “pro sex feminist with radical leanings”. How… Continue reading Sex, Robots and Touch
Guest post, by Dr Feng Zhu This blog post refers to the Synesthesia X1 – 2.44 device, a work by Tetsuya Mizuguchi (an iconic figure in computer games ) to consider how artistic visions of individualised synaesthetic experiences are shaped by, and could also be outside of, the logic of individual consumption and self-perfection. Figure… Continue reading Synesthesia X1 – 2.44: The dream of individualised synaesthetic experiences
Guest post, by Kate Cowan (@katecowan) Documentation of children’s play is an important part of early years practice that helps educators to make sense of children’s interests and interactions, informing planning, pedagogy and assessment. This practice is currently undergoing significant change as paper-based scrapbooks (consisting of written notes, photographs, paintings, collages etc.) are increasingly being… Continue reading Digital Documentation in Early Years Education: Tactile Losses and Gains
Guest Post, by Emília Ferreira and Inês Norton https://vimeo.com/360572208 Film 'PLEASE [DO NOT] TOUCH', by Jungler We have long known that knowledge depends on the senses. We are now, however, experiencing a global fascination with the digital, which interposes between our perception and reality, and we argue, is replacing direct contact with the world. What… Continue reading PLEASE [DO NOT] TOUCH – An Exhibition by Inês Norton